Sherline A. She is a Melbourne-based multidisciplinary artist, curator, and educator whose practice spans painting, sculpture, and installation. Her work explores consciousness, identity, memory, and the body through Eastern feminist perspectives, examining how femininity is perceived, constructed, and continually reconstructed within contemporary cultural contexts.

Drawing on personal experience, cultural heritage, and ecological thinking, Sherline investigates the intersections of feminine identity, memory, migration, and cultural inheritance. Working across painting, sculpture, and installation, her material-led practice explores how embodied experience can be communicated through materiality and space. Through immersive environments and sensory encounters, she examines the dynamic relationships between the body, landscape, memory, and ecology, proposing identity as fluid, relational, and continually evolving.

Central to her practice is an ongoing dialogue between Eastern feminism and ecofeminism. By engaging materiality as both a conceptual and experiential language, Sherline challenges inherited notions of femininity while creating spaces for reflection on embodiment, care, resilience, and transformation. Her work invites audiences to consider how personal and collective histories are remembered, negotiated, and reimagined through the interconnectedness of body, environment, and culture.

Sherline completed a Master of Fine Arts at RMIT University. Her work has been presented in exhibitions including Her Voice (2023), The Village and I (2024), The Dreaming and Utopia Childhood (2024), Return to Nature: Root Series(2026), and Returning to Nature: Reconstructing Feminine Identity (2026). Alongside her studio practice, she curated Green Dream (2024), an exhibition project exploring contemporary artistic responses to ecology and cultural identity. As an educator, she mentors emerging artists through a practice that balances conceptual inquiry with technical experimentation and material exploration.